A cross-sectional study of the development of singing ability in primary school

Main Article Content

Katalin Kovács
Norbert Szabó
Krisztián Józsa
Márta Janurik

Abstract

This cross-sectional study aimed to examine the development of singing ability among primary school children in grades 1, 3, 5, and 7. The sample included 476 children enrolled in general music education. In this research, distinct subtests were employed for assessing pitch matching (interval reproduction and single pitch reproduction) and singing melodies (phrase-singing and song-singing). The overall development of singing ability was measured by using a composite indicator, called ÉKÖM (Singing Ability). Voice quality was also evaluated as a separate variable, with a newly developed measurement tool, that demonstrated strong reliability. Results showed a significant, moderate improvement in ÉKÖM between the first and third grades. However, no further progress was observed in fifth grade, and the singing ability of seventh graders was not significantly different from that of first graders. Additionally, notable advancements were observed in singing ability between grades 1 and 3. Development rates varied by gender, with girls generally demonstrating more advanced singing abilities than boys, except in third grade. However, three specific skills—interval reproduction, song-singing, and voice quality—did not show any developmental changes during schooling. These findings suggest that the objectives outlined in the National Core Curriculum concerning the role and development of singing in general music education, especially in middle school years, are not fully achieved.

Downloads

Download data is not yet available.

Article Details

How to Cite
Kovács, K., Szabó, N., Józsa, K., & Janurik, M. (2024). A cross-sectional study of the development of singing ability in primary school. Magyar Pedagógia, 124(2), 111–142. https://doi.org/10.14232/mped.2024.2.111
Section
Articles

References

Adorján, I. (1996). Hangképzés, énektanítás. Eötvös József Kiadó.

Apfelstadt, H. (1984). Effects of Melodic Perception Instruction on Pitch Discrimination and Vocal Accuracy of Kindergarten Children. Journal of Research in Music Education, 1984(32), 15–24. https://doi.org/10.2307/3345277

Ashley, M. (2019). What voices have emerged? Lessons on boys’ vocal dispositions and choral tone from a new choral leaflet series. Music Education Research, 21(2), 135–149. https://doi.org/10.1080/14613808.2018.1534819

Asztalos, A. (2019). Zenei képességfejlesztés az általános iskolában. Parlando, 2019(5).

Berkowska, M., & Dalla Bella, S. (2009). Singing Proficiency in the Majority Normality and “Phenotypes” of Poor Singing. The Neurosciences and Music III — Disorders and Plasticity. Annals of the New York Academy of Sciences, 1169, 99–107. https://doi.org/10.1111/j.1749-6632.2009.04558.x

Berkowska, M., & Dalla Bella, S. (2013). Uncovering phenotypes of poor-pitch singing: the Sung Performance Battery (SPB). Frontiers in Psychology, 4, 714. https://doi.org/10.3389/fpsyg.2013.00714

Bónis, F. (1982). Kodály Zoltán Visszatekintés I. Összegyűjtött írások, beszédek, nyilatkozatok 1964, Zeneműkiadó.

Bradshaw, E., & McHenry, A. M. (2005). Pitch Discrimination and Pitch Matching Abilities of Adults who Sing Inaccurately. Journal of Voice, 19(3), 431–439. https://doi.org/10.1016/j.jvoice.2004.07.010

Dalla Bella, S. (2015). Defining poor-pitch singing: A problem of measurement and sensitivity. Music Perception, 32(3), 272–282. https://doi.org/10.1525/mp.2015.32.3.272

Dalla Bella, S., Giguère, J-F., & Peretz, I. (2007). Singing proficiency in the general population. The Journal of the Acoustical Society of America, 121(2), 1182–1189. https://doi.org/10,1121/1,2427111

Davidson, L. (1994). Song singing by young and old: a development approach to music. In R. Aiello (Ed.), Musical perceptions. (pp. 99–130.) Oxford University Press.

Demorest, S. M., & Clements, A. (2007). Factors influencing the pitch-matching of junior high boys. Journal of Research in Music Education, 55(3), 190–203. https://doi.org/10.1177/002242940705500302

Erős, I. (1992). A zenei alapképesség vizsgálata. In Czeizel, E. & Batta, A. (Ed.), A zenei tehetség gyökerei (pp. 183–206). Mahler Marcell Alapítvány – Arktisz Kiadó.

Erős, I. (1993). Zenei alapképesség. Akadémiai Kiadó.

Estis, J. M., Coblentz, J. K., & Moore, R. E. (2009). Effects of increasing time delays on pitch-matching accuracy in trained singers and untrained individuals. Journal of voice: official journal of the Voice Foundation, 23(4), 439–445. https://doi.org/10.1016/j.jvoice.2007.10.001

Gembris, H. (2002). The development of musical ability. In R., Colwell, & C., Richardson (Eds.), The new handbook of research on music teaching and learning. (pp. 487–509). Oxford University Press.

Gembris, H. (2006). The development of musical abilities. In Colwell, R. (Ed.), MENC handbook of musical cognition. Oxford University Press.

Gévayné Janurik, M. (2010). A zenei hallási képességek fejlődése és összefüggése néhány alapkészséggel 4–8 éves kor között [Doctoral dissertation]. Szegedi Tudományegyetem Neveléstudományi Doktori Iskola.

Goetze, M., & Horii, Y. (1989). A comparison of the pitch accuracy of group and individual singing in young children. Bulletin of the Councilfor Research in Music Education, 99, 57-73.

Gordon, E. E. (1965). Musical aptitude profile manual. Houghton Mifflin.

Green, G. A. (1994). Unison versus individual singing and elementary students’ vocal pitch accuracy. Journal of Research in Music Education, 42, 105–114.

Gudmundsdottir, R. H., & Cohen, A. J. (2015). Advancing interdisciplinary research in singing through the AIRS Test Battery of Singing Skills. Musicae Scientiae, 19(3), 234–237. https://doi.org/10.1177/1029864915598735

Hutchins, S. M., & Peretz, I. (2012). A frog in your throat or in your ear? Searching for the causes of poor singing. Journal of Experimental Psychology General, 141(1), 76–97. https://doi.org/10.1037/a0025064

Hutchins, S., Larrouy-Maestri, P., & Peretz, I. (2014). Singing ability is rooted in vocal-motor control of pitch. Attention, perception & psychophysics, 76(8), 2522–2530. https://doi.org/10.3758/s13414-014-0732-1

Janurik, M. (2007). Áramlatélmény az iskolai ének-zene órákon. Magyar Pedagógia, 107(4), 295–320.

Janurik, M., & Józsa, K. (2012). Findings of a three months long music training programme. Hungarian Educational Research Journal, 4(2), https://doi.org/10.5911/HERJ2012.04.01

Janurik, M., & Józsa, K. (2013). A zenei képességek fejlődése négy- és nyolcéves kor között. Magyar Pedagógia, 113(2), 75–99.

Janurik, M., & Józsa, K. (2018). Az iskolai zenetanulás iránti motivációt alakító néhány tényező. Gyermeknevelés Tudományos Folyóirat, 6(2), 5–17. https://doi.org/10.31074/gyn20182517

Janurik, M., Szabó, N., & Józsa, K. (2020). A zenei énkép jellemzői és összefüggése a zenei képességekkel hetedik osztályosok körében. Magyar Pedagógia, 120(2), 171–200. https://doi.org/10.17670/MPed.2020.2.171

Kenneth, H. P., & Randall, E. A. (1997). The Relationship of Singing Accuracy to Pitch Discrimination and Tonal Aptitude Among Third-Grade Students. Contributions to Music Education, 24(1), 7–22.

L. Nagy, K. (2003). Az ének-zene tantárgy helyzete egy kérdőíves felmérés tükrében. Országos Közoktatási Intézet, Új Pedagógiai Szemle (2002 novmeber). https://epa.oszk.hu/00000/00035/00065/2002-11-hk-LNagy-Enek.html

Leighton, G., & Lamont, A. (2007). Exploring children's singing development: do experiences in early schooling help or hinder?. Music Education Research, 8(3), 311–330. https://doi.org/10.1080/14613800600957461

Levinowitz, L. M. (1989). An Investigation of Preschool Children’s Comparative Capability to Sing Songs with and without Words. Bulletin of the Council for Research in Music Education, 100, 14–19. http://www.jstor.org/stable/40318259

Mendes, P. A., Rothman, B. H., Sapienza, C., & Brown, Jr., W.S. (2003). Effects of Vocal Training on the Acoustic Parameters of the Singing Voice. Journal of Voice, 17(4), 529–543. https://doi.org/10.1067/S0892-1997(03)00083-3

Moore, R. E., Keaton, C., & Watts, C. (2007). The role of pitch memory in pitch discrimination and pitch matching. Journal of voice: official journal of the Voice Foundation, 21(5), 560–567. https://doi.org/10.1016/j.jvoice.2006.04.004

Mucsi G., Pethő V., & Janurik M. (2021). A ritmikai készségek fejlesztése első osztályban. Magyar Pedagógia, 121(1), 101–135.

Nagy, J. (2003). Az eredményesebb képességfejlesztés feltételeiről és lehetőségeiről. Iskolakultúra, 8, 40–52.

Nemzeti alaptanterv (2020). Magyar Közlöny, 17, 290–446.

Nichols, E. B. (2015). Critical Variables in Singing Accuracy Test Construction: A Review of Literature. National Association for Music Education. 35, 39–46. https://doi.org/10.1177/8755123315576764

Nichols, E. B. (2016). Task-Based Variability inChildren’s Singing Accuracy. Journal of Research in Music Education, 64(3), 1–13. https://doi.org/10.1177/0022429416666054

Orton, A., & Pitts, E. S. (2019). Adolescent perceptions of singing: exploring gendered differences in musical confidence, identity and ambition. Music Education Research, 21(1), 40–51. https://doi.org/10.1080/14613808.2018.1507019

Pap, J. (2002). Hang – ember – hang. Vince Kiadó.

Papoušek, M. (1994). Vom ersten Schrei zum ersten Wort. Anfänge der Sprachentwicklung in der vorsprachlichen Kommunikation. Huber.

Peretz, I., & Zatorre, R. J. (2005). Brain organization for music processing. Annual Review of Psychology, 56, 89–114. https://doi.org/10.1146/annurev.psych.56.091103.070225

Pfordresher, P. Q., & Mantell, J. T. (2009). „Singing as a Form of Vocal Imitation: Mechanisms and Deficits,” in Proceedings of the 7th Triennial Conference of European Society for the Cognitive Sciences of Music (ESCOM 2009), eds Louhivouri J., Eerola T., Saarikallio S., Himberg T., Eerola P.-S. (Jyväskylä: University of Jyväskylä) 425–430.

Pfordresher, Q. P., & Brown, S. (2007). Poor -pitch singing in the absence of „Tone deafness”. Music Perception, 25(2), 95–115. https://doi.org/10.1525/MP.2007.25.2.95

Pintér, T. K. (2020). A zeneoktatásunk kihívásai és nehézségei általános iskolai és gimnáziumi énektanárok nézetei alapján. Gyermeknevelés Tudományos Folyóirat, 8(2), 74–109. https://doi.org/10.31074/gyntf.2020.2.74.109

Roberts, E., & Davies, A. D. M. (1976). A Method of Extending the Vocal Range of "Monotone" Schoolchildren. Psychology of Music, 4(1), 29–43. https://doi.org/10.1177/030573567641004

Russo, A. F. (2020). Motor system involvement in the perception of singing. In F. A., Russo, B., Illari, & A., Cohen (Eds.), Advancing Interdisciplinary Research in Singing, Volume 1: Development. (pp. 276–288). Routledge. https://doi.org/10.4324/9781315163734-21

Rutkowski, J. (1996). The Effectiveness of Individual/ Small-Group Singing Activities on Kindergartners’ Use of Singing Voice and Developmental Music Aptitude. Journal of Research in Music Education, 44(4), 353-368. https://doi.org/10.2307/3345447

Rutkowski, J. (1997). The Nature of Children's Singing Voices: Characteristics and Assessment. The Phenomenon of Singing, 1(1), 201–209.

Seashore, C. E. (1919). Measures of music talent. Academic Press.

Sloboda, J. A., Wise, K. J., & Peretz, I. (2005). Quantifying tone deafness in the general population. Annals of the New York Academy of Sciences, 1060(1), 255–261. https://doi.org/10.1196/annals.1360.018

Stadler Elmer, S., & Elmer, F. J. (2000). A new method for analyzing and representing singing. Psychology of Music, 28(1), 23–42.

Szabó, N., Józsa, K., & Janurik, M. (2021). Digitális eszközök használata az ének-zene órán: első osztályos tanulókkal folytatott kísérlet eredményei. Magyar Pedagógia, 121(1), 47–84. https://doi.org/10.17670/MPed.2021.1.47

Thompson, W. F., Schellenberg, E. G., & Husain, G. (2004). Decoding speech prosody: Do music lessons help? Emotion, 4(1), 46–64. https://doi.org/10.1037/1528-3542.4.1.46

Turmezeyné Heller, E., & Balogh, L. (2009). Zenei tehetséggondozás és képesség-fejlesztés. Kocka Kör Tehetséggondozó Kulturális Egyesület.

Turmezeyné Heller, E., Máth, J., & Balogh, L. (2005). Zenei képességek és iskolai fejlesztés. Magyar Pedagógia, 105(2), 207–236.

Watts, C., Moore, R., & McCaghren, K. (2005). The Relationship Between Vocal Pitch-Matching Skills and Pitch Discrimination Skills in Untrained Accurate and Inaccurate Singers. Journal of Voice, 19(4), 534–543. https://doi.org/10.1016/j.jvoice.2004.09.001

Welch, F. G., (2006). Singing and vocal development. In G., McPherson, (Ed.), The Child as Musician: a Handbook of Musical Development. (pp. 311–329). Oxford University Press. https://doi.org/10.1093/acprof:oso/9780198530329.003.0016

Welch, F. G., Himonides, E., Saunders, J.-A., Papageorgi, I., Rinta, T., Stewart, C., Preti, C., & Lani, J. (2009). The National Singing Programme for primary schools in England: An initial baseline study. Music Education Research, 11(1), 1–22. https://doi.org/10.1080/14613800802699523

Welch, F. G., Himonides. E., Saunders. J., Papageorgi, I., & Sarazin, M. (2010). Researching the impact of the National Singing Programme ‘Sing Up’ in England: Main findings from the first years (2007-2010). International Music Education Research Centre.

Welch, F. G., Himonides. E., Saunders. J., Papageorgi, I., & Sarazin, M. (2014). Singing and social incluison. Frontiers in Psychology, 5(803) https://doi.org/10.3389/fpsyg.2014.00803

Welch, F. G., Sergeant, D. C., & White, P. (1997). Age, sex and vocal task as factors in singing ‘in-tune’ during the first years of schooling. Bulletin of the Council for Research in Music Education, 133, 153–160.

Welch, G. F. (1979). Poor pitch singing: A review of the literature. Psychology of Music, 7(1), 50–58. https://doi.org/10.1177/030573567971006

Welch, G. F., Himonides, E., Saunders, J., Papageorgi, I., Rinta, T., Preti, C., Stewart, C., Lani, J., & Hill, J. (2011). Researching the first year of the National Singing Programme Sing Up in England: An initial impact evaluation. Psychomusicology: Music, Mind and Brain, 21(1-2), 83–97. https://doi.org/10.1037/h0094006

Welch, G. F., Sergeant, D. C., & White, P. J. (1996). The Singing Competencies of Five-Year-Old Developing Singers. Bulletin of the Council for Research in Music Education, 127, 155–162. http://www.jstor.org/stable/40318780

Wood, A. E., Rovetti, J., & Russo, A. F. (2020). Vocal-motor interference eliminates the memory advantage for vocal melodies. Brain and Cognition, 145. https://doi.org/10.1016/j.bandc.2020.105622

Most read articles by the same author(s)

1 2 3 > >>